Inca Hymns and the Epic-Makers
DOI:
https://doi.org/10.18441/ind.v1i0.199-212Abstract
Partiendo de la recepción de los himnos incas en "Les Incas" de Marmontel, el autor discute sus fuentes, sus antecesores y sus imitadores sudamericanos. Se demuestra que los poetas de la Independencia no solamente ignoran la cultura indígena, sino que utilizan el "inca" para sancionar el interés industrial y mercantil de los blancos. Tampoco los modernistas, ni los indigenistas, logran acercarse a la cultura indígena, sólo utilizan la tradición de Garcilaso-Marmontel para evocar un orden social pretendidamente ideal. Recién José María Arguedas y otros han intentado entender tanto las expresiones lingüísticas como las sociales y su mutua dependencia en la sociedad quechua.Downloads
Published
1973-01-01
Issue
Section
Articles
License
Copyright (c) 1973 INDIANA
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Authors who publish with this journal agree to the following terms:- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. that allows others to share the work unchanged with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are encouraged to distribute the work themselves with information on its initial publication, e.g. upload it to open repositories linked to their personal website or institutional affiliation, or publish it in a book.