Plate Camera and Crumpled Grain: Scientific Illustrations in the Publications of Eduard Seler and Caecilie Seler-Sachs
DOI:
https://doi.org/10.18441/ind.v41i1.147-160Keywords:
printing, image reproduction, photo technology, Eduard Seler, Caecilie Seler-Sachs, autotype and collotype, 19th to 20th centuriesAbstract
Focusing on the work of Eduard Seler and Caecilie Seler-Sachs, this text examines the impact of technological advancements in the printing industry during the 19th and early 20th centuries on visual representation in scientific publications. It discusses image reproduction methods such as autotype and collotype, as well as the evolution in quality and precision of illustrations, especially in archaeology and ethnography.
Downloads
Published
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Authors who publish with this journal agree to the following terms:- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. that allows others to share the work unchanged with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are encouraged to distribute the work themselves with information on its initial publication, e.g. upload it to open repositories linked to their personal website or institutional affiliation, or publish it in a book.