Religious chants and sermons in rural and urban areas: a glance from the Southern Andes

Abstract

The religious poetry of the Golden Age destined to sing is not usually understood from its own specificity. In the following pages my purpose is first, to show which is the peculiarity of the poetry of circumstances. When considering the complementary role of poetry with the sermon (both forming part of a broader framework intermedia) it may cover all religious poetry in vernacular languages, and cluster the pieces of this universe by the three rhetorical genres. And second, to observe the difference in density of production genres in urban areas relative to rural, allowing us to venture some hypotheses about the interaction of those who have been involved in the communication process. All this primarily in Charcas, but also in other territories of the Viceroyalty of Peru.