Rites of Passage. The Contact Strategies and Actions of Argentine Young Creators of Cinema and Theater between the Fifties and Sixties

Abstract

The article proposes to build a socio-historical tour around relationships for Argentine young creators of cinema and theater of the late fifties. It seeks to observe the existence of alliances who objective was the inclusion in the cultural field through horizontal legitimacy strategies. To do these exchanges they will be studied during the years of Peron government (1946-1955) understanding them in anticipation of the actions undertaken in the sixties.